Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Nalanda University

Nalanda was associate degree acclaimed Mahavihara, an oversized Buddhist cloister within the ancient kingdom of Magadha (modern-day Bihar) in Asian nation. the positioning is found concerning ninety five kilometres southeast of Patna close to the city of province Sharif, and was a centre of learning from the seventh century BCE. it’s a United Nations Educational Scientific and Cultural Organization World Heritage website.
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The extremely formalized strategies of religious text learning helped inspire the institution of huge teaching establishments like Taxila, Nalanda, and Vikramashila that square measure usually characterized as India’s early universities. Nalanda flourished below the patronage of the Gupta Empire within the fifth and sixth centuries and later below Harsha, the emperor of Kannauj. The liberal cultural traditions familial from the Gupta age resulted in an exceedingly amount of growth and prosperity till the ninth century. the next centuries were a time of gradual decline, a amount throughout that the Tantrik developments of Buddhism became most pronounced in japanese Asian nation below the Pala Empire.
At its peak, the varsity attracted students and students from close to and much with some motion all the method from Tibet, China, Korea, and Central Asia. archeological proof additionally notes contact with the Shailendra sept of country, one amongst whose kings designed a cloister within the advanced.
Much of our information of Nalanda comes from the writings of pilgrim monks from East Asia like Xuanzang and Yijing World Health Organization traveled to the Mahavihara within the seventh century. Vincent Smith remarked that “a elaborated history of Nalanda would be a history of adherent Buddhism”. several of the names listed by Xuanzang in his travelog as product of Nalanda square measure the names of these World Health Organization developed the philosophy of Mahayana. All students at Nalanda studied Mahayana similarly because the texts of the eighteen (Hinayana) sects of Buddhism. Their course of study additionally enclosed different subjects like the Vedas, logic, Indic descriptive linguistics, medication and Samkhya.
Nalanda was terribly doubtless empty and destroyed by a military of the Muslim Mamluk sept below Bakhtiyar Khilji in 1200 Ce. whereas some sources note that the Mahavihara continued  to operate in an exceedingly makeshift fashion for a short time longer, it had been eventually abandoned and forgotten till the nineteenth century once the positioning was surveyed and preliminary excavations were conducted by the archeological Survey of Asian nation. Systematic excavations commenced in 1915 that unearthed eleven monasteries and 6 brick temples showing neatness organized on grounds twelve hectares (30 acres) in space. A treasure of sculptures, coins, seals, and inscriptions have additionally been discovered within the ruins several of that square measure on show within the Nalanda archeological repository settled near . Nalanda is currently a notable traveler destination and a locality of the Buddhist business enterprise circuit.
Early history
A sculpture of religious mystic at Nalanda in 1895. Nalanda was an initio a prosperous village by a significant trade route that ran through the near  town of Rajagriha (modern Rajgir) that was then the capital of Magadha. it’s aforesaid that the faith thirthankara, Mahavira, spent fourteen rainy seasons at Nalanda. religious mystic too is alleged to own delivered lectures in a very near  mango grove named Pavarika and one among his 2 chief disciples, Shariputra, was born within the space and later earned nirvana there. This ancient association with Mahavira and Buddha tenuously dates the existence of the village to a minimum of the 5th–6th century BCE.
Not a lot of is thought of Nalanda within the centuries thence. Taranatha, the 17th-century Tibetan Lama, states that the 3rd-century BCE Mauryan and Buddhist emperor, Ashoka, designed a good temple at Nalanda at the location of Shariputra’s chaitya. He additionally places 3rd-century atomic number 58 luminaries like the Mahayana thinker, Nagarjuna, and his adherent, Aryadeva, at Nalanda with the previous additionally heading the establishment. Taranatha additionally mentions a up to date of Nagarjuna named Suvishnu building 108 temples at the situation. whereas this might imply that there was a flourishing centre for Buddhism at Nalanda before the third century, no archaeologic proof has been unearthed to support the assertion. once Faxian, Associate in Nursing early Chinese Buddhist pilgrim to Asian country, visited Nalo, the location of Shariputra’s parinirvana, at the flip of the fifth century atomic number 58, all he found price mentioning was a stupa.
Nalanda in the Gupta era
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Rear read of the ruins of the Baladitya Temple in 1872. Nalanda’s dated history begins below the Gupta Empire[19] and a seal identifies a monarch named Shakraditya as its founder. each Xuanzang and a Korean pilgrim named Prajnyavarman attribute the muse of a sangharama  at the location to him. Shakraditya is known with the 5th-century Ce Gupta emperor, Kumaragupta I , whose coin has been discovered at Nalanda. His successors, Buddhagupta, Tathagatagupta, Baladitya, and Vajra, later extended and expanded  the establishment by building extra monasteries and temples.
The Guptas were historically a Brahmanical family line. Narasimhagupta (Baladitya) but, was noted below the influence of the adherent thinker, Vasubandhu. He engineered a sangharama at Nalanda and conjointly a three hundred foot (91 m) high vihara with a Buddha sculpture inside that, consistent with Xuanzang, resembled the “great Vihara engineered below the Bodhi tree”. The Chinese monk conjointly noted that Baladitya’s son, Vajra, WHO commissioned a sangharama yet, “possessed a heart firm in faith”.
Historical figures related to Nalanda
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Traditional sources state that Nalanda was visited by each Mahavira and also the Buddha in c. sixth and fifth century BCE. it’s additionally the place of birth and nirvana of Shariputra, one in all the notable disciples of Buddha.
Aryabhata
Aryadeva, student of Nagarjuna
Atisha, Mahayana and Vajrayana scholar
Chandrakirti, student of Nagarjuna
Dharmakirti, logician
Dharmapala
Dignaga, founding father of Buddhist Logic
Nagarjuna, formaliser of the thought of Shunyata
Naropa, student of Tilopa and teacher of Marpa
Shilabhadra, the teacher of Xuanzang
Xuanzang, Chinese Buddhist traveler
Yijing, Chinese Buddhist traveler
Decline and finish
The decline of Nalanda is concomitant with the disappearance of Buddhism in India. once Xuanzang traveled the length and breadth of India within the seventh century, he discovered that his faith was in slow decay and even had ominous premonitions of Nalanda’s forthcoming death. Buddhism had steady lost quality with the people and thrived, due to royal patronage, solely within the monasteries of state and geographical area. By the time of the dak, the standard Mahayana and Hinayana sorts of Buddhism were imbued with Tantrik practices involving secret rituals and magic. the increase of Hindu philosophies within the landmass and also the waning of the Buddhist Pala family once the eleventh century meant that Buddhism was hemmed in on multiple fronts, political, philosophical, and moral. the ultimate blow was delivered once its still-flourishing monasteries, the last visible symbols of its existence in India, were overrun throughout the Muslim invasion that sweptwing across Northern India at the flip of the thirteenth century.
In around 1200 metal, Bakhtiyar Khilji, a Turkic chieftain bent on create a reputation for himself, was within the service of a commander in Awadh. The Persian student, Minhaj-i-Siraj in his Tabaqat-i Nasiri, recorded his deeds a number of decades later. Khilji was allotted 2 villages on the border of state that had become a political no-man’s land. Sensing a chance, he began a series of plundering raids into state and was recognised and rewarded for his efforts by his superiors. Emboldened, Khilji set to attack a fort in state and was ready to with success capture it, plundering it of an excellent swag. Minhaj-i-Siraj wrote of this attack.
Muhammad-i-Bakht-yar, by the force of his courage, threw himself into the gate of the entrance of the place, and that they captured the defence, and purchased nice swag. The larger variety of the inhabitants of that place were Brahmans, and also the whole of these Brahmans had their heads shaven; and that they were all slain. there have been an excellent variety of books there; and, once of these books came underneath the observation of the Musalmans, they summoned variety of Hindus that they could provide them info respecting the import of these books; however the full of the Hindus had been killed. On changing into familiar with [with the contents of these books], it had been found that the full of that defence and town was a university, and within the Hindui tongue, they decision a university state.
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The End of the Buddhist Monks,  from Hutchinson’s Story of the Nations depicts Khilji making an attempt to form sense of a manuscript.
This passage refers to Associate in Nursing attack on a Buddhist cloister the “Bihar”  and its monks (the smooth-shaven Brahmans). the precise date of this event isn’t acknowledged with academic estimates starting from 1197 to 1206. whereas several historians believe that this cloister that was mistaken for a fort was Odantapura, some area unit of the opinion that it had been Nalanda itself. However, considering that these 2 Mahaviharas were solely a number of kilometres apart, each terribly possible befell an identical fate. the opposite nice Mahaviharas of the age like Vikramshila and later, Jagaddala, additionally met their ends at the hands of the Turks at round the same time.
Another important account of the times is the biography of the Tibetan monk-pilgrim, Dharmasvamin, who journeyed to India between 1234 and 1236. When he visited Nalanda in 1235, he found it still surviving, but a ghost of its past existence. Most of the buildings had been damaged by the Muslims and had since fallen into disrepair. But two viharas, which he named Dhanaba and Ghunaba, were still in serviceable condition with a 90-year-old teacher named Rahula Shribhadra instructing a class of about 70 students on the premises. Dharmasvamin believed that the Mahavihara had not been completely destroyed for superstitious reasons as one of the soldiers who had participated in the desecration of a Jnananatha temple in the complex had immediately fallen ill.
While he stayed there for six months under the tutelage of Rahula Shribhadra, Dharmasvamin makes no mention of the legendary library of Nalanda which possibly did not survive the initial wave of Turkic attacks. He, however, provides an eyewitness account of an attack on the derelict Mahavihara by the Muslim soldiers stationed at nearby Odantapura (now Bihar Sharif) which had been turned into a military headquarters. Only the Tibetan and his nonagenarian instructor stayed behind and hid themselves while the rest of the monks fled Nalanda. Contemporary sources end at this point. But traditional Tibetan works which were written much later suggest that Nalanda’s story might have managed to endure for a while longer even if the institution was only a pale shadow of its former glory. The Lama, Taranatha, states that the whole of Magadha fell to the Turks who destroyed many monasteries including Nalanda which suffered heavy damage. He however also notes that a king of Bengal named Chagalaraja and his queen later patronised Nalanda in the fourteenth and fifteenth centuries, although no major work was done there.
An 18th-century work named Pag sam jon zang recounts another Tibetan legend which states that chaityas and viharas at Nalanda were repaired once again by a Buddhist sage named Mudita Bhadra and that Kukutasiddha, a minister of the reigning king, erected a temple there. A story goes that when the structure was being inaugurated, two indignant (Brahmanical) Tirthika mendicants who had appeared there were treated with disdain by some young novice monks who threw washing water at them. In retaliation, the mendicants performed a 12-year penance propitiating the sun, at the end of which they performed a fire-sacrifice and threw “living embers” from the sacrificial pit into the Buddhist temples. The resulting conflagration is said to have hit Nalanda’s library. Fortunately, a miraculous stream of water gushed forth from holy manuscripts in the ninth story of Ratnodadhi which enabled many manuscripts to be saved. The heretics perished in the very fire that they had kindled.[9]:208[12]:343[16]:15 While it is unknown when this event was supposed to have occurred, archaeological evidence (including a small heap of burnt rice) does suggest that a large fire did consume a number of structures in the complex on more than one occasion. A stone inscription notes the destruction by fire and subsequent restoration at the Mahavihara during the reign of Mahipala.
The last throne-holder of Nalanda, Shakyashribhadra, fled to Tibet in 1204 at the invitation of the Tibetan translator Tropu Lotsawa. In Tibet, he started an ordination lineage of the Mulasarvastivada lineage to complement the two existing ones.
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Madhubani Painting

Madhubani – Mithila Painting (also known as Madhubani art or Mithila painting) is practiced within the Mithila region of Republic of India and Kingdom of Nepal. Painting is finished with fingers, twigs, brushes, nib-pens, and matchsticks, victimization natural dyes and pigments, and is characterised by obvious geometrical patterns. there’s ritual content for explicit occasions, like birth or wedding, and festivals, like Holi, Surya Shasti, Kali Puja, Upanayana, Durga Puja.
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Madhubani painting originated in a very tiny village, called Maithili, of the province state of Republic of India. Initially, the womenfolk of the village John Drew the paintings on the walls of their home, as associate illustration of their thoughts, hopes and dreams. With time, the paintings started turning into an area of festivities and special events, like wedding. Slowly and step by step, the Madhubani painting of Republic of India crossed the standard boundaries and began reaching connoisseurs of art, each at the national further because the international level.
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The traditional base of freshly plastered mud wall of huts has currently been replaced by material, handwoven paper and canvas. Since the paintings are confined to a restricted geographical vary, the themes further because the vogue are, a lot of or less, the same. Indian Maithili paintings create use of three-dimensional pictures and therefore the colors that are used as derived principally from plants. The themes on that these paintings are based mostly embody nature and mythological events. the primary respect to the Maithili painting of province dates back to the time of Ramayana, once King Janaka ordered the paintings to be created for his girl, Sita’s, wedding.
Themes of Maithili Paintings
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Themes of the Maithili painting of province revolve around Hindu deities like avatar, Rama, Lakshmi, Shiva, Durga and Saraswati. The natural themes that ar used embody the Sun, the Moon and therefore the spiritual plants like tulsi. One may also realize paintings supported scenes from the royal courts and social events, like weddings. If any empty house is left when painting the most theme, it’s stuffed up with the motifs of flowers, animals and birds or geometric styles.
Making Madhubani Paintings
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The brush used for Madhubani paintings of province was manufactured from cotton, wrapped around a bamboo stick. The artists prepare the colours that ar used for the paintings. Black color is created by adding soot to cow dung; yellow from combining turmeric (or spore or lime) with the milk of banyan leaves; blue from indigo; red from the kusam flower juice or red sandalwood; inexperienced from the leaves of the wood apple tree; white from rice powder and orange from palasha flowers. there’s no shading within the application of colours. A double line is drawn for outlines and therefore the gap is stuffed with either cross or straight small lines. The linear Maithili paintings don’t even need application of colors; solely the outlines are drawn.
About Madhubani Paintings
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It’s no new finding that paintings and art usually replicate the culture and tradition of the place from that they originate. they have an inclination to be a mirrored image of the days within which the art was created. seldom will AN ancient kind become a mirrored image of contemporary times and problems. nonetheless a drive on route fifty two of the Madhubani district or Ranti village in province can tell you ways Madhubani art that originated regarding 2500 years past continues to be much thriving. Not solely that, it’s managed to save lots of a complete forest and place the spotlight on some terribly pressing women’s issues! Take a glance at the history of Madhubani paintings and the way they need evolved over the years.
The history of Madhubani paintings
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A 2500-year-old genre, the history of Madhubani paintings is claimed so far back to the time of Sanskrit literature, once king Janaka asked a creative person to capture his girl Sita’s wedding to aristocrat avatar. These paintings were typically created by ladies on walls and floors of homes throughout festivals, ceremonies or special occasions. Having originated within the Mithila region in province, this kind of painting, conjointly referred to as Mithila art, has been in observe in areas around province and Asian nation.
Madhubani Paintings Styles
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Madhubani art has 5 distinctive designs, namely, Bharni, Katchni, Tantrik, godna and kohbar. within the Nineteen Sixties Bharni, Kachni and Buddhism vogue were principally done by Brahman and Kayashth ladies, United Nations agency area unit ‘upper caste’ ladies in Asian country and Asian country. Their themes were principally non secular and that they pictured Gods and Goddesses, flora and fauna in their paintings. folks of lower castes includes aspects of their everyday life and symbols, story of Raja Shailesh [ guard of village] and far additional, in their paintings. however these days Madhubani art has become a globalised kind thus there’s no distinction within the work of artists of the region on the idea of class structure . they’re operating all told 5 designs. Madhubani art received international and national attention.
Madhubani Painting Origins
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Madhubani painting/Mithila painting was historically created by the ladies of the Brahman, Dusadh and Kayastha communities in Mithila region in India. It originated from Mithila region and Madhubani district of Bihar became the main export centre of those paintings, hence, it’s popularly known as Mithila painting or Madhubani painting. This painting as a sort of wall art was practiced wide throughout the region; the newer development of painting on paper and canvas primarily originated among the villages around Madhubani, and it’s these latter developments light-emitting diode to the name Madhubani art being employed aboard the name “Mithila Painting.”
The painting was historically done on freshly plastered mud walls and floors of huts, however currently they’re conjointly done on textile, handwoven paper and canvas. Madhubani paintings area unit made of the paste of fine-grained rice. Madhubani painting has remained confined to a compact geographical region and therefore the skills are passed on through centuries, the content and therefore the vogue have for the most part remained a similar. which is that the reason for Madhubani painting being accorded the desirable GI (Geographical Indication) standing. Madhubani paintings conjointly use 2 dimensional mental imagery, and therefore the colors used area unit derived from plants. Ocher and C are used for burnt sienna and black severally.
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